Tuesday, February 22, 2011

The Tyger : William Blake , Text & Explanation


1
Tiger, tiger, burning bright
In the forests of the night, 
What immortal hand or eye 
Could frame thy fearful symmetry? 


Stanza 1 Summary
What immortal being created this terrifying creature which, with its perfect proportions (symmetry), is an awesome killing machine? 


2
In what distant deeps or skies 
Burnt the fire of thine eyes? 
On what wings dare he aspire? 
What the hand dare seize the fire?


Stanza 2 Summary
Was it created in hell (distant deeps) or in heaven (skies)? If the creator had wings, how could he get so close to the fire in which the tiger was created? How could he work with so blazing a fire?


3
And what shoulder and what art 
Could twist the sinews of thy heart? 
And when thy heart began to beat, 
What dread hand and what dread feet? 


Stanza 3 Summary
What strength (shoulder) and craftsmanship (art) could make the tiger's heart? What being could then stand before it (feet) and shape it further (hand)?


4
What the hammer? what the chain? 
In what furnace was thy brain? 
What the anvil? What dread grasp 
Dare its deadly terrors clasp? 


Stanza 4 Summary
What kind of tool (hammer) did he use to fashion the tiger in the forge fire? What about the chain connected to the pedal which the maker used to pump the bellows? What of the heat in the furnace and the anvil on which the maker hammered out his creation? How did the maker muster the courage to grasp the tiger? 


5
When the stars threw down their spears, 
And water'd heaven with their tears, 
Did He smile His work to see? 
Did He who made the lamb make thee? 

Stanza 5 Summary
When the stars cast their light on the new being and the clouds cried, was the maker pleased with his creation?

6
Tiger, tiger, burning bright 
In the forests of the night, 
What immortal hand or eye 
Dare frame thy fearful symmetry?


Stanza 6 Summary
The poet repeats the the central question of the poem, stated in Stanza 1. However, he changes could (Line 4) to dare (Line 24). This is a significant change, for the poet is no longer asking who had the capability of creating the tiger but who dared to create so frightful a creature.

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